Westy

About Westy

http://www.westymusic.co.uk

A recording artist.

Posts by Craig Westwood:

Only the Good Ones Go First
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Released…!

So… finally, they’re out there!

At least three songs released so far:

Released…!

Only the Good Ones Go First, made sense to me to release it first, despite my initial reservations. Although the root of the song is about loss, it’s bouncy and it’s positive, and it sends a message that – more than anything – the people close to you are the most important. Click the image to view.

Watching the Rain, is a moodier song. It’s about many things: about living in your head; about the struggle to communicate outside of that; about losing someone because of the breakdown of communication and being able to explain your actions. Select the image if you haven’t seen it yet.

Released…!
Released…!

On the Rise, is getting more positive. It’s typical me I suppose, always there’s an aside questioning the good stuff, always; but it’s also projecting the positive above the negative. On the Rise is literally about manifesting a good future in your mind, and if there only was a bit more ‘light’ in everybody, then things would be better…. wouldn’t they? Click the image to see and hear it.

It’s been a lot of work: the videos, the graphics, the ads, contacting playlist curators, radio, media… some bits worked, some didn’t… I had the intention of getting one song released per month. This was too much. I still have a day job as such, so I’ve settled at aiming for one song every two months. If I can get the marketing periphery more streamlined, then I’ll get them out quicker.

I’m surprised as to the response – all of it is positive – and in the most unusual places. Brazil likes it a lot (way to go, Brazil!); then the UK, then France, U.S. and then… Israel, are the top 5 countries. Quite an unusual spread. The numbers are growing track by track – that’s positive I think – and I assume this trend is continuing upward as people get to know who I am, and my music. Huge gratitude to each and every one of you who have played my songs and especially those who have liked them, shared them, and saved them to your playlists.

There’s more to come.

Craig x

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Life, the Universe and Music…

Leading up to the release of my first few songs, I’ve decided to make some informative short documentary videos about the journey so far. Starting with the decision to make a serious effort to improve and get the music ‘out there’ that I made in early 2016. 

Look out for Life, the Universe and Music on YouTube… Episode One is out NOW!

Screenshot 2023-04-27 at 17.13.51
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Making videos…

This Summer of 2022 I’ve been concentrating on filming some videos to go with the songs I’ve recorded, mixed and had mastered.

The first one I’d started with was Whispers of Home, which involved the use of some discreet footage I shot from a train window on my way to King’s Cross in London, actually at the beginning of my trip to Los Angeles, after I’d won the All Guitar Vero Contest.

I decided that I’d look at some creative and cost-effective ways of making my music videos, so I have some very different ideas for all of them, some a little more ambitious than others!

Making videos…

The next video to have a go at has been Only the Good Ones Go First. I’ve had this idea for a long time to have a posterised approach and to make it a lyric video too with cartoon bubble text. As it looks and sounds at the moment, it’s got all the energy I was expecting, and I think it’s going to look great…

Making videos…
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Building a New Studio – Part 2

It’s been a busy few weeks. The first issue with the new space was removing some rotten carpet that was falling apart.

Building a New Studio – Part 2
Building a New Studio – Part 2

On taking this up, I found a tensioning bar for the roof which had pushed its way up through the screed in the floor. Thanks to my friend Steve, we got this sorted pretty quickly, and I could think about what I wanted on the floor. 

Building a New Studio – Part 2

Screeded by Steve – Great job!

Studio – Grade Flooring

Acoustic-grade carpet was my first choice, but finding a fitter who was prepared to come out during covid restrictions was difficult. Firstly – carpets aren’t very popular in France, they prefer tiled flooring, due to the warmer conditions here and the need for cool floors in Summer.

I found an English-speaking carpet fitter about 3 hours away, but his quotation was ridiculously high. He was still trying to get his carpets from the UK. Problems with UK suppliers now they’ve left the EU means there are hold ups at the ports, and a hefty tax is now put on imports. Thank you again Brexit. This will ultimately kill UK exports into Europe.

The lead time he was giving me was also 3 months until he could fit the carpet, which was way too long, and mostly I think due to the supply problems I’d already mentioned.

In the end, I decided to order some acoustic grade carpet tiles from a French supplier online, and opted to fit them myself. This was going to be far quicker. the tiles arrived in a few days, and I could get started.

In the meantime, I’d already removed curtains and fittings and painted the walls.

Building a New Studio – Part 2
Building a New Studio – Part 2
The Mezzanine Studio
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Building a New Studio – Part 1

Buying a house in France that has been vacant for four years has had its issues. Happily most of them are superficial, and involve mostly decorating and some minor refurbishment to get the house to what we we’d like.

The first issue is that I’m here on my own. Problems with Claire’s Dad’s failing health has meant that she has wanted to be with her parents in the UK. Though originally she talked about coming out of teaching by December, she has now decided she wants to stay on for another year and a half until she is 55.

So – I’m working on the things I can… especially the studio. The space I’ve got is interesting, but not everything is practical…

Craig Claire & Sophie
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Moving to France…

The long-suffering nightmare that has been Brexit (often renamed Brex-shit by many) really pushed Claire and I to reconsider our future options, and the decision was, if UK wouldn’t stay in Europe, then we would physically move there instead.

We’ve always loved France. We started visiting for holidays in the late 1990s, and, especially once we became balloonists, kept wanting to go back, and often wondered what it would be like to live there. We’ve made many friends there, and simply love the countryside, the food, the wine, the lifestyle. If we were going to get out of the rat race and the “grind-the-worker-down” environment that is so typical of the United Kingdom, then it would have to be soon. Brexit just made us decide to go sooner.

We started looking at houses in 2019, rather tentatively at first, with the help of our friends Pete and Alison, who live in France. But in March 2020 we found a lovely house that suited our requirements.

Then, everything went into lockdown.

This made the house buying process a whole lot slower. Firstly, we couldn’t view the house. Once the isolation restrictions were lifted in France, though the borders were still closed, Pete and Alison could go and view the house, and kindly videoed it for us. We loved what we saw, and we bought it subject to being able to view in person as soon as the borders were open again. We eventually went out in August to finalise the deal.

Though we sold our UK house within a week, moving house during a pandemic also posed its problems. We had a few months wait from August until the legals processed, and we completed on the house via video in early December. We had already briefed a removals company and had a date in mind, again amidst rumours of another lockdown imminent. Luckily we were able to move finally on the 18th December. I drove across with Sophie, our dog, and arrived on the 19th to let the removal guys in. Claire came on later with our balloon in tow on the 20th. We’d made it! 

Now all the hard work begins. Music-wise, I have a studio to build. While I originally thought our cellar and garage space would be best for creating a new studio, now I’ve been there a while it’s not the best spot sonically for recordings, as there’s too much pipework and a large boiler in the next room. 

Instead, I’ve chosen a mezzanine space on the first floor, which again needs work, but could be great for recording and even has a space suitable for performance and video-making.

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Thinking On Your Own – Part 2

For a while now I’ve been a (somewhat quiet) member of a community called “Produce Like a Pro“, run by the Los Angeles-based producer Warren Huart. I joined PLAP (as it’s affectionately known) primarily to continue to improve my recording and mixing, and thus end up with a set of quality songs for my first album.

After the upload of my song ‘Thinking On Your Own’ onto YouTube and Facebook, I was contacted by fellow PLAP-er Tim Ellifritz, based out in Johnsburg, NY, who loved the song and asked if we could collaborate and he would produce and release it. Well…. what do you say to that!

Of course, it was “yes!”

In just one day, Tim had a group of guys ready to record and work on the song, and by then, Tim’s selected drummer, Patrick Peeters, in Belgium, had made a guide track from my Youtube video, all set to 162bpm for the rest of the guys to record in their DAWs.

On the 28th March I had my first Zoom meeting call with Tim, and his fellow American Dave Merkel from Billings, MT. We got on really well, and a ‘lockdown project’ was formed. Tim had managed to recruit Dave, then Patrick, and a bass player from the Netherlands, Peter Süoss. We became a band of producers.

This just shows the power of the internet and the fact that you can work with a bunch of guys you’ve never met in person, and come up with something incredible.

P.ii band members meeting - July 2020

Over the lockdown period, each of us went to work on our respective parts: I recorded two acoustic guitar parts for a stereo mix and five vocal tracks – one lead and two-part stereo backing vocals, plus some keyboard vocal ‘ooooohs’; Patrick recorded several tracks of drums; Peter’s track used his fretless bass; Tim provided lead guitar and a rhythm electric track, plus a low vocal; then Dave provided an organ track and some strings also.

We each decided at the outset to film our performances, for the video to follow.

Building the song involved a couple of drafts from each of us, then discussion via Zoom. We shared our tracks on the cloud, and each of us could mix according to taste and add things on top for the band to hear and review. What was most fascinating to me was how different each of our mixes were. Here we had five different versions of the same song.

Thinking On Your Own – Part 2

By July we had the song finished. We decided that we’d ask another PLAP-er, Sara Carter, to do the final mix from our tracks. Sara had years of prior experience with the BBC, and had recently started her own mixing business ‘Music Mix Pro‘, and the result was amazing.

Release date was July 31st. We spent a great deal of time building up to the release, with the creation of a Facebook group, and a number of promo ‘reminders’ that appeared on both Facebook, and our other respective channels elsewhere. I produced a load of graphics and visuals for the release, and the other guys worked on video material too for our new fans. In the 11 day build up to release day, we’d got over 300 followers.

Thinking on Your Own - All band members assembled

We’ve enjoyed the entire process so much, from start to finish, that we are determined to have a go at some more music together. We’ve also started a P.ii video channel with an episode each Friday, called ‘Friday is P.ii-Day’. I’m not sure how long we can sustain this series, but we’re certainly going to give it our best shot.

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Thinking On Your Own – Part 1

March 19th. The UK was going into lockdown with rising cases of Covid-19 being reported. The media frenzy at the time was on how people were panic-buying in the shops, with various photos and video footage of people stockpiling shopping trolleys full of toilet roll, pasta, bread, milk and other groceries, and in doing so, depriving the most vulnerable in our society. 

I was angry at what I saw, and I felt I had to write a song about it. Sure, people were scared, none of us really knew how Covid was going to affect or change our lives. But, depriving others at a time of real need, was selfish and unnecessary. Global crises really show us how base and primitive the human race can still be.

It didn’t really matter to me that the song was probably just going to be labelled as ‘another from the glut of songs written in lockdown’; it was heartfelt, and I felt strongly about its message. I wanted to get across that, in isolation, we are still able to think of others and should be concentrating on them, not thinking on our own. It was asking people to consider: “Who else can I help?”

If, in listening to this song, it makes one person think again, and decide not to act selfishly, giving the more vulnerable person a chance – just for once – then it will have done it’s job.

I posted it on Facebook. I wasn’t sure what to expect really, but I asked people to like and share, and a few people did. Thank you to those who did, because what happened next was a complete surprise.

Step Forward. MUSIC IS WAITING.
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All Guitar Vero Contest, Part 3

Day 3 of our trip was a drive to El Cajon, near San Diego, and a visit to Taylor Guitars.

Kendall and Nikke picked us up at the hotel quite early, and it was a good two hour drive to El Cajon.

A personal highlight for me was just the music and the chat on that trip, in both directions. We talked about many things, Kendall knew a lot about the area, and pointed out many landmarks as he drove; and Nikke played us some really good music, across a variety of genres, quite a lot I wasn’t familiar with, and definitely stuff I will investigate later. We talked a lot about Vero too, and where they see things are going for this relatively new social network.

When we arrived at El Cajon, it was 10 degrees hotter than Santa Monica. Just getting out of the car hit you with a sheer wall of heat. I was very grateful that day for the car’s air conditioning. We’d arranged to meet Tim Godwin, another of the contest judges and artist (development) director at Taylor Guitars, for lunch. An interesting fact I learned about Tim is that he knew another Yorkshire Brit, and as he explained that he was singing in a Joe Cocker tribute band, aptly named (if you know Joe Cocker’s material) ‘Mad Dogs and an Englishman’, I realised at once he was talking about Jason Feddy, an ex-pat, now living in Laguna Beach, that my friends and I used to go and watch play regularly in Harrogate Blues Bar. Small world, innit?

All Guitar Vero Contest, Part 3

A lovely touch to the welcome at Taylor Guitars, was to see my name on the notice board as we entered. Pete went to work setting up his camera, and filmed a great deal around the factory as the tour progressed. The tour runs across two buildings on the plot at El Cajon. Now and again, as we ventured outside to look at the raw wood store, and as we crossed between one building and another, we walked back into that wall of heat. Phew!

All Guitar Vero Contest, Part 3

Our tour guide took us around the factory and explained every stage in the development of guitars, from the raw material, to the finished products. I will save the rest for a later post, when I get chance to show some of Pete’s video footage too, I hope. I understand that Taylor run these tours daily, so, I f you are ever visiting the San Diego area, and want to know more about Taylor, how they make guitars, their processes end-to-end, and their sustainability ethos, I would highly recommend this tour, and especially so, if you’re a Taylor Guitars geek like me (link here)*. 

*Update – Since the Covid-19 pandemic, Taylor Guitars has been forced to suspend its tours for the time being. I hope this resumes soon.

The last stage of the tour was a look at the ‘Guitar Gallery’. Taylor actively invite guests to take guitars off the wall, and try out as many as they want. I have to say, I immediately fell in love with a PS14, and had a jam with Kendall, who’d got himself one of the other V-Series guitars to play. My choice was a beautiful instrument, lovely to play, and certainly one for the wish list!

All Guitar Vero Contest, Part 3

A scenic trip back to Santa Monica and dinner with Nikke and Kendall en route made up yet another amazing day. Sadly, it was the end of our time with our hosts from Vero, though we had another couple of days to roam and explore L.A.. What superb hosts, and I feel mighty privileged to have had their exclusive company for such a time. A trip I will always treasure.

All Guitar Vero Contest, Part 3

Keen not to become merely tourists, Pete and I had plans for the remaining two days. Especially as Pete had a camera with him, we decided to make a music video, really as it seemed appropriate, as well as documenting the trip. We used Uber cars on the first day, but this was still a bit time-restrictive. On day two we hired a car, and made much more progress and covered more miles, heading off into the valleys where it was more picturesque. Again, you might get a clue from the photos, where we went. All to be revealed on video at some stage…. very soon I hope !

All Guitar Vero Contest, Part 3
All Guitar Vero Contest, Part 3

Lastly, there are so many people to thank: Nikke and Kendall, our amazing hosts at Vero; Tim Godwin and the staff at Taylor Guitars; Norman Harris, Michael Lemmo, Nick Dias, and the rest of the staff at Norman’s Rare Guitars; Mark Rivett and Dylan at the All Guitar Network; plus the ever-helpful and friendly staff at the Wyndham Hotel, Santa Monica On the Pier. Last but not least, my good buddy Pete Bennett, of Bigworld Productions, whose knowledge and good company were so invaluable, and our partners Claire and Alison, who keenly organised us both via FaceTime at strange times of the day and night.

Fondest memories made.

Sat on the sofa at Norman's Rare Guitars, with Michael Lemmo
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All Guitar Vero Contest, Part 2

As my poor wife Claire was unable to come on this trip (long story), my friend Pete, who we were staying with in France at the time, was free. As he’s also an independent film-maker, he kindly offered to document the trip.

I didn’t sleep much on the flight across to Los Angeles. Aircraft seats are just not comfortable, despite the ability to electronically dim the windows on a 787.  We landed at LAX around 3:30 pm, spent a little bit of time getting through passport checks, and then some more time, waiting for a driver to appear, who I think was waiting the wrong side of the airport, and then we were on our way.

All Guitar Vero Contest, Part 2

The Wyndham Santa Monica is literally a minute’s walk from Santa Monica pier. A lovely spot. Nikke and Kendall from Vero had arranged to meet us, and just give us a little guided walking tour of the Pier, and the surrounding area. Then they suggested we stop and have a bite to eat and a beer at one of the restaurants on the roadside facing the beach, where we got to know each other, and watched the sunset behind the roadside palm trees. Then Kendall and Nikke left us to ur own devices for the evening, as we wanted to explore a bit further, and stave off the jet lag at least until bedtime, where we hoped we might sleep better, ready for our trip to Norman’s the following day.

All Guitar Vero Contest, Part 2

Anyway, despite all good intentions, and a good strategy to combat the jet lag, I think I had about 3 hours sleep. The body clock is a complicated system, and this had thoroughly messed up my circadian rhythm. Pete on the other hand, having been in New York a few weeks prior to this, and much more used to travelling than me, had had a better night. We walked up to Santa Monica boulevard and grabbed a pavement-side breakfast. Coffee was the most important wake-me-up component.

Kendall and Nikke picked us up at the hotel and Kendall drove us down to Ventura Boulevard, Tarzana, where the famous Norman’s Rare Guitars store is situated.

Norm’s, as it’s now affectionately called, was established in the mid 70s by Norman Harris, who made his name as a musician forging connections with guitarists through the buying and selling of rare and highly sought after guitars. His store has been frequented by many A-list guitarists, including Joe Bonamassa, T-Bone Burnett, Slash,  Mike Campbell, Joe Walsh, and the late Tom Petty, to name but a few, and Norman himself is now considered to be one of the guitar industry’s foremost experts on vintage guitars. A few years ago, Norman’s Rare Guitars launched its own YouTube channel, and now has a following of well over 380,000 subscribers, myself included, broadcasting their featured guitars of the day, with resident and guest performers who turn up to play these amazing and interesting guitars, acoustic and electric, giving the store such a refreshing and unique perspective on the world of guitars, and upon the LA guitar scene as well.

All Guitar Vero Contest, Part 2

Next door to the left of Norman’s Rare Guitars, is the more recently launched All Guitar Network, another project of Norm’s, and the perfect partner to the store, in that it has access to the store’s guitar collection, but it also is taking the subject of guitars to a whole new level. 

Hosted and co-ordinated by musician and composer Mark Rivett, AGN has a greater focus on learning, it is establishing itself as the go-to channel for guitar news, views, tutorials, and features with guest musicians, such as Joe Bonamassa, Tim Pierce, Josh Smith and David Becker, as well as the resident store musicians and presenters: Michael Lemmo, Nick Dias and Norman himself, who are also a focal part of the AGN network too.

As the All Guitar Vero Contest is a partnership prize of Vero, Norman’s, the All Guitar Network, and Taylor Guitars, there’s a lot of people behind this for me to thank. Anyway, the prize involved me picking up my new signed Taylor 717 Grand Pacific Builder’s Edition Guitar, and so we called in to AGN first to meet Mark, where he introduced me to the guitar, though the formal presentation was to be next door at Norman’s. I was immediately struck by the quality of the case itself.

I had a little time to open it up, revealing the guitar in all it’s glory. Signed by many, including the Contest judges Tim Pierce and Michael Lemmo, I was keen to take it out and examine it further. But the waiting area at AGN wasn’t the place, besides, they were keen to shoot the presentation and a little ‘jam session’ with Michael before the store opened at 11. So, we all ventured next door. Tim Pierce, I was sad to hear, wasn’t able to make it, so it was just going to be Michael and me.

I’m 6 feet tall, but Michael is about 6ft 3” or 4”. My son Tom is 6’ 5”, so I’m getting used to this younger generation getting progressively taller. Fortunately we were sat on the famous sofa at Norman’s, so I don’t look too short on the video that Dylan shot from the All Guitar Network. Rather than detune and play the winning piece, I opted for standard tuning, and another song: “Watching The Rain’, so typically English for the scorching heat of L.A.:

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Maybe it was the sheer over-tiredness, but I really didn’t feel at all nervous. Listening back, I’m not only pleased with my own performance, but I’m still impressed by the talent of Michael Lemmo, that he could listen once to me playing a couple of verses and choruses, and then pull off a complete accompaniment like that. Awesome!

Next off, we went next door, for me to be interviewed by Mark for the AGN channel. I pre-warned Mark of my tendency to suffer from the “Dreaded Erms”, or hesitation, on camera, and I must say that, like Michael, he put me completely at ease, though you’ll see there are a number of jump-cuts in the interview. I really haven’t mastered talking on camera yet, and I really do prefer a script. They did a superb edit on it though, I think. They really did make me look almost a natural… Great work, guys!

Vero – True Social

Norman’s Rare Guitars

All Guitar Network

Taylor Guitars

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