WestyMusic

(Don’t Hurry) Slow Down

Westy — Fri, 30 May 2025 00:15:00 +0000

‘(Don’t Hurry) Slow Down’ started it’s life instrumentally in 1986. I had in mind a two-part guitar piece and it progressed out of jam sessions with a friend I’d met whilst working at Huddersfield’s Electronic Arts Workshop, Colin Ramsden, who I was trying to start a band with at the time. I came up with the claw-and-slap guitar riff, and at one point he jammed along with a little repeating section using some picked harmonics, which appealed to me.

I can’t remember now what Colin’s version was like, we made no recordings of those little jam sessions, and so when I did get chance to do my own recording of the track some time later at Rick Cocker’s home-studio, I had worked out my own version of the picked harmonic, but for me, it was a finger-picked pattern.

Having recorded the backing tracks, and adding a synth bass-line and drum machine, I had little idea where to take this. I had a melody, and a hook for the chorus: ‘Don’t hurry, slow down, slow down,’ but little else for the rest of the song. I played a few of my demo tracks to my old college friend and writer, John Helliwell, including ‘Slow Down’, and he was keen to have a go at helping me finish it. Within a week or two he had something, and the verses were formed. I used my hook and added a pre-chorus, and we had the song.

Over the years, I’ve had two or three versions of ‘(Don’t Hurry) Slow Down’ in demo form, either on cassette, as it was originally, and then later on CD and digitally, but nothing made it beyond this point.

Fast forward 37 years or so…

I knew I wanted to do something with the song, but it was my daughter Amy who sparked it all off again. She came across to us in December 2023 for Christmas, and I did a little set for friends at a gathering at home. Amy said she’d been working on a harmony for ‘(Don’t Hurry) Slow Down’, and could we have a go at singing it. We played and sang it for our small audience unrehearsed, and it went down a storm. It was then I realised it was ready to do another, more polished version.

I had already part-recorded a slimmed-down version of the song, with two acoustic guitars, and added a bass-line and percussion in Spring 2024. Amy agreed then to come across for an early Summer break in late June/early July and did her vocal for me during that week.

What astounded me was that Amy took to recording very easily. She hadn’t used a studio mic before, or recorded using DAW software either, but adapted very quickly, wasn’t phased by any of the repetitiveness of the comping process, and could stay on pitch like a pro. It made the whole session very enjoyable.

If anything, other issues got in the way of my finishing the song. I released ‘Wry Smile’ back in October ’24, and then we had family health issues to deal with. Claire lost her Dad in December, a long journey with Alzheimer’s and dementia, and then her Mum was seriously ill too. We went back to the UK for Christmas and to support the family through crisis, and so my planned releases went on hold for a while.

On the 29th December Amy and I did get chance to shoot video scenes in Ealand for ‘(Don’t Hurry) Slow Down’. I had this idea to try and portray the ‘slow’ and ‘fast’ themes of the song using slow-and-fast frame videoing. It was difficult but fun filming all my scenes singing at double-speed, and Amy’s at half-speed. The result you’ll see for yourself on the video.

Our test-shots originally were made indoors with a plain-background, which just didn’t work. It was only when we shot outdoors, with the Ealand sea of wind-turbines behind us, did it help and I think aided the fast and slow element of it.

The sad conclusion to this story though is that we learned in early January that our good friend and collaborator on this song, John Helliwell, died on December 31st, after a short battle with cancer. Our song therefore has become a tribute to him and his generous and creative spirit.

We miss you, John.

There are a few more songs that John and I collaborated on, which I intend to release sometime in the near future. More news about this soon.

‘(Don’t Hurry) Slow Down’ is out NOW.

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What’s behind the… WRY SMILE?

Westy — Fri, 25 Oct 2024 15:58:54 +0000

I wrote Wry Smile in 2017, after I’d seen enough of the antics of a certain Donald Trump who was in the White House at the time.

To be honest, I was more than a little concerned as to why he’d been elected in the first place. Then, I saw such a parallel with our own situation in the UK at that time: incompetent right-wing leaders, too guided by lining their own pockets and those of their friends, than that of the welfare of the average person.

That certainly showed itself in the few years that followed. Especially when covid-19 hit the UK shores. Especially when Britain decided to leave the European Union, fueled by propaganda that preyed on racist fears and not looking at the reasons why the EU was set up in the first place: to bring about Peace in Europe.

As Trump began putting the walls up, so Britain retreated from the strength of a united Europe, and used it’s island seaboard as it’s wall. And so both America and Britain became weaker as a result.

I didn’t use names in this song, but it was directed at ALL politicians, that misuse the powers of the positions they’re elected to, and use their office to further their own selfish interests and not those of the people.

And Donald Trump, Wry Smile speaks directly to YOU.

I sincerely hope that the US electorate votes for the Voice of Reason, and not for the self-serving billionaire, you know what I mean?

Good luck, America. The World is watching.

Wry Smile is out NOW. Have a listen, or watch it here

ADDENDUM:

It’s Nov. 26th. Trump has been re-elected. It beggars belief as to why the voting public in America would support such a man, but he’s there, and I’m sure soon enough we’re going to see – again – what kind of a President he is.

For the song Wry Smile, I guess it has another four years of validity. I should be grateful, but I was rather hoping Kamala Harris would be the first Female U.S. President. America clearly isn’t ready to advance that much – yet.

Yes, Donald Trump can soon enough sit smug and smiling as he wreaks his own brand of havoc from behind the desk in Washington’s Oval Office.

And what’s behind the Wry Smile?

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With the Sky

Westy — Sun, 28 Apr 2024 15:02:15 +0000

With the Sky was written in 2011, just after I checked out as a pilot. It’s had various tweaks and changes to the lyrics since then, but essentially the tune has remained the same.

I wrote it as a nod to the ballooning community, especially for those people who gave up their time for free and helped me to train to be a pilot. the majority of these belong to the British Balloon and Airship Club (BBAC), and for people in the UK, if you want to get involved with ballooning, then that’s a good place to start in terms of finding people near to you who will help you take part.

It’s very much a “pay-it-forward” community, in that it’s best to find a balloon team, help out with being part of the chase-crew, whilst you decide whether ballooning as a sport is really for you. Claire and I got involved in ballooning in 2001, and we were crew members for a number of teams until late 2007, when Claire ‘checked out’ as a pilot, and then we bought our first balloon, enabling me to train afterwards.

Essentially then, it took me nearly 4 years to train as a pilot. Partly due to the fact that I was sharing balloon time with Claire, who was still a novice pilot herself.

What I hoped to convey in the song, was life as a balloonist (or is it a “loonist?”). The fact we’re always watching the sky, looking at weather forecasts, checking out the wind speed, looking toward the tops of the trees even, in the sheer hope that the winds will be calm enough for us to fly. A lot of the time, especially when we lived in the UK (and we were up North as well….), those hopes were often dashed by turbulence, fog, and, more often, rain.

I don’t think that there’s been another song written about ballooning as such since Fifth Dimension’s “Up, Up and Away” in the 1960s. So, it’s really a modern slant on ballooning, from a pilot’s perspective. There’s no doubt in my mind, and I’ve seen significant changes in the weather since 2001, that the weather patterns are worsening. There are far less calm flyable winds since we began ballooning in the. early noughties. Some of our ballooning colleagues who’ve been flying since the 60s, 70s and 80s have said that those weather changes are even more significant since they began flying even.

So the “Give me another window in the weather” line in the song is a plea for just the chance to fly, which is becoming more and more the balloonist’s anthem, I think.

With the Sky was released on March 8th.

It’s on Spotify:

You can find the video here:

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Released…!

Westy — Thu, 01 Feb 2024 16:39:18 +0000

So… finally, they’re out there!

At least three songs released so far:

Only the Good Ones Go First, made sense to me to release it first, despite my initial reservations. Although the root of the song is about loss, it’s bouncy and it’s positive, and it sends a message that – more than anything – the people close to you are the most important. Click the image to view.

Watching the Rain, is a moodier song. It’s about many things: about living in your head; about the struggle to communicate outside of that; about losing someone because of the breakdown of communication and being able to explain your actions. Select the image if you haven’t seen it yet.

On the Rise, is getting more positive. It’s typical me I suppose, always there’s an aside questioning the good stuff, always; but it’s also projecting the positive above the negative. On the Rise is literally about manifesting a good future in your mind, and if there only was a bit more ‘light’ in everybody, then things would be better…. wouldn’t they? Click the image to see and hear it.

It’s been a lot of work: the videos, the graphics, the ads, contacting playlist curators, radio, media… some bits worked, some didn’t… I had the intention of getting one song released per month. This was too much. I still have a day job as such, so I’ve settled at aiming for one song every two months. If I can get the marketing periphery more streamlined, then I’ll get them out quicker.

I’m surprised as to the response – all of it is positive – and in the most unusual places. Brazil likes it a lot (way to go, Brazil!); then the UK, then France, U.S. and then… Israel, are the top 5 countries. Quite an unusual spread. The numbers are growing track by track – that’s positive I think – and I assume this trend is continuing upward as people get to know who I am, and my music. Huge gratitude to each and every one of you who have played my songs and especially those who have liked them, shared them, and saved them to your playlists.

There’s more to come.

Craig x

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Life, the Universe and Music…

Westy — Fri, 07 Apr 2023 16:37:00 +0000

Leading up to the release of my first few songs, I’ve decided to make some informative short documentary videos about the journey so far. Starting with the decision to make a serious effort to improve and get the music ‘out there’ that I made in early 2016.

Look out for Life, the Universe and Music on YouTube… Episode One is out NOW!

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Making videos…

Westy — Sat, 10 Sep 2022 15:52:00 +0000

This Summer of 2022 I’ve been concentrating on filming some videos to go with the songs I’ve recorded, mixed and had mastered.

The first one I’d started with was Whispers of Home, which involved the use of some discreet footage I shot from a train window on my way to King’s Cross in London, actually at the beginning of my trip to Los Angeles, after I’d won the All Guitar Vero Contest.

I decided that I’d look at some creative and cost-effective ways of making my music videos, so I have some very different ideas for all of them, some a little more ambitious than others!

The next video to have a go at has been Only the Good Ones Go First. I’ve had this idea for a long time to have a posterised approach and to make it a lyric video too with cartoon bubble text. As it looks and sounds at the moment, it’s got all the energy I was expecting, and I think it’s going to look great…

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Building a New Studio – Part 2

Westy — Mon, 05 Apr 2021 14:34:00 +0000

It’s been a busy few weeks. The first issue with the new space was removing some rotten carpet that was falling apart.

On taking this up, I found a tensioning bar for the roof which had pushed its way up through the screed in the floor. Thanks to my friend Steve, we got this sorted pretty quickly, and I could think about what I wanted on the floor.

Screeded by Steve – Great job!

Studio – Grade Flooring

Acoustic-grade carpet was my first choice, but finding a fitter who was prepared to come out during covid restrictions was difficult. Firstly – carpets aren’t very popular in France, they prefer tiled flooring, due to the warmer conditions here and the need for cool floors in Summer.

I found an English-speaking carpet fitter about 3 hours away, but his quotation was ridiculously high. He was still trying to get his carpets from the UK. Problems with UK suppliers now they’ve left the EU means there are hold ups at the ports, and a hefty tax is now put on imports. Thank you again Brexit. This will ultimately kill UK exports into Europe.

The lead time he was giving me was also 3 months until he could fit the carpet, which was way too long, and mostly I think due to the supply problems I’d already mentioned.

In the end, I decided to order some acoustic grade carpet tiles from a French supplier online, and opted to fit them myself. This was going to be far quicker. the tiles arrived in a few days, and I could get started.

In the meantime, I’d already removed curtains and fittings and painted the walls.

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Building a New Studio – Part 1

Westy — Sun, 10 Jan 2021 14:44:53 +0000

Buying a house in France that has been vacant for four years has had its issues. Happily most of them are superficial, and involve mostly decorating and some minor refurbishment to get the house to what we we’d like.

The first issue is that I’m here on my own. Problems with Claire’s Dad’s failing health has meant that she has wanted to be with her parents in the UK. Though originally she talked about coming out of teaching by December, she has now decided she wants to stay on for another year and a half until she is 55.

So – I’m working on the things I can… especially the studio. The space I’ve got is interesting, but not everything is practical…

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Moving to France…

Westy — Sun, 03 Jan 2021 12:04:00 +0000

The long-suffering nightmare that has been Brexit (often renamed Brex-shit by many) really pushed Claire and I to reconsider our future options, and the decision was, if UK wouldn’t stay in Europe, then we would physically move there instead.

We’ve always loved France. We started visiting for holidays in the late 1990s, and, especially once we became balloonists, kept wanting to go back, and often wondered what it would be like to live there. We’ve made many friends there, and simply love the countryside, the food, the wine, the lifestyle. If we were going to get out of the rat race and the “grind-the-worker-down” environment that is so typical of the United Kingdom, then it would have to be soon. Brexit just made us decide to go sooner.

We started looking at houses in 2019, rather tentatively at first, with the help of our friends Pete and Alison, who live in France. But in March 2020 we found a lovely house that suited our requirements.

Then, everything went into lockdown.

This made the house buying process a whole lot slower. Firstly, we couldn’t view the house. Once the isolation restrictions were lifted in France, though the borders were still closed, Pete and Alison could go and view the house, and kindly videoed it for us. We loved what we saw, and we bought it subject to being able to view in person as soon as the borders were open again. We eventually went out in August to finalise the deal.

Though we sold our UK house within a week, moving house during a pandemic also posed its problems. We had a few months wait from August until the legals processed, and we completed on the house via video in early December. We had already briefed a removals company and had a date in mind, again amidst rumours of another lockdown imminent. Luckily we were able to move finally on the 18th December. I drove across with Sophie, our dog, and arrived on the 19th to let the removal guys in. Claire came on later with our balloon in tow on the 20th. We’d made it!

Now all the hard work begins. Music-wise, I have a studio to build. While I originally thought our cellar and garage space would be best for creating a new studio, now I’ve been there a while it’s not the best spot sonically for recordings, as there’s too much pipework and a large boiler in the next room.

Instead, I’ve chosen a mezzanine space on the first floor, which again needs work, but could be great for recording and even has a space suitable for performance and video-making.

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Thinking On Your Own – Part 2

Westy — Sat, 26 Sep 2020 21:08:00 +0000

For a while now I’ve been a (somewhat quiet) member of a community called “Produce Like a Pro“, run by the Los Angeles-based producer Warren Huart. I joined PLAP (as it’s affectionately known) primarily to continue to improve my recording and mixing, and thus end up with a set of quality songs for my first album.

After the upload of my song ‘Thinking On Your Own’ onto YouTube and Facebook, I was contacted by fellow PLAP-er Tim Ellifritz, based out in Johnsburg, NY, who loved the song and asked if we could collaborate and he would produce and release it. Well…. what do you say to that!

Of course, it was “yes!”

In just one day, Tim had a group of guys ready to record and work on the song, and by then, Tim’s selected drummer, Patrick Peeters, in Belgium, had made a guide track from my Youtube video, all set to 162bpm for the rest of the guys to record in their DAWs.

On the 28th March I had my first Zoom meeting call with Tim, and his fellow American Dave Merkel from Billings, MT. We got on really well, and a ‘lockdown project’ was formed. Tim had managed to recruit Dave, then Patrick, and a bass player from the Netherlands, Peter Süoss. We became a band of producers.

This just shows the power of the internet and the fact that you can work with a bunch of guys you’ve never met in person, and come up with something incredible.

Over the lockdown period, each of us went to work on our respective parts: I recorded two acoustic guitar parts for a stereo mix and five vocal tracks – one lead and two-part stereo backing vocals, plus some keyboard vocal ‘ooooohs’; Patrick recorded several tracks of drums; Peter’s track used his fretless bass; Tim provided lead guitar and a rhythm electric track, plus a low vocal; then Dave provided an organ track and some strings also.

We each decided at the outset to film our performances, for the video to follow.

Building the song involved a couple of drafts from each of us, then discussion via Zoom. We shared our tracks on the cloud, and each of us could mix according to taste and add things on top for the band to hear and review. What was most fascinating to me was how different each of our mixes were. Here we had five different versions of the same song.

By July we had the song finished. We decided that we’d ask another PLAP-er, Sara Carter, to do the final mix from our tracks. Sara had years of prior experience with the BBC, and had recently started her own mixing business ‘Music Mix Pro‘, and the result was amazing.

Release date was July 31st. We spent a great deal of time building up to the release, with the creation of a Facebook group, and a number of promo ‘reminders’ that appeared on both Facebook, and our other respective channels elsewhere. I produced a load of graphics and visuals for the release, and the other guys worked on video material too for our new fans. In the 11 day build up to release day, we’d got over 300 followers.

We’ve enjoyed the entire process so much, from start to finish, that we are determined to have a go at some more music together. We’ve also started a P.ii video channel with an episode each Friday, called ‘Friday is P.ii-Day’. I’m not sure how long we can sustain this series, but we’re certainly going to give it our best shot.

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